Map of Somerset – John Speed (1610)

JS14

Historic 1610 map of Somerset by John Speed, showing Wells, Taunton and Glastonbury. Giclée print, archival paper, A3–A1.

Price range: £20.00 through £75.00

Description

***OLD MAP OF SOMERSET BY JOHN SPEED***
A reproduction of a historic map of Somerset by John Speed first published in 1610, showing Wells, Taunton, Glastonbury and the Somerset Levels. This reproduction map is printed on archival paper using giclee printing techniques and should not fade for 75 years. It is supplied unframed, in a range of sizes.

John Speed (1552-1629) is arguably the most famous English cartographer of any period, as a result of his atlas The Theatre of the Empire of Great Britaine. The individual maps are the best known and among the most sought-after of all county maps. The maps themselves were derived from the best and most up-to-date sources available. However, Speed also made innovations of his own – introducing town plans on many of the maps, including county boundaries on almost all maps and also the coats of arms of local Earls and Dukes as well the Royal Arms. The original maps were printed in monochrome, however proud owners often had their maps hand-coloured. The overall effect is to produce very decorative, attractive and informative maps.

Our images are scans of original hand-coloured maps and include the marks and blemishes associated with the passing of the years. They are printed on 310 gsm archival quality professional art paper by a state-of-the-art giclee printer using pigment inks. A Certificate of Authenticity is supplied.

Additional information

Size

A3 (16.5 x 11.7 inches), A2 (23.4 x 16.5 inches), A1 (33.1 x 23.4 inches)

Somerset Map - Further information

John Speed's map of Somerset appeared in his Theatre of the Empire of Great Britaine, first published in 1611-12, with the individual plate engraved in Amsterdam by Jodocus Hondius and generally dated 1610 on the sheet itself. That publishing history is common to all of Speed's county maps, but the Somerset plate — titled "Somerset-Shire Described and into Hundreds devided, with the plott of the famous and most wholsom waters and citie of the Bathe" — carries a set of features that belong to it alone.

Somerset was, in Speed's day, one of the most administratively fragmented counties in England, parcelled out into several dozen hundreds rather than the ten or twelve found in most shires, and the map divides the county accordingly, with hundreds such as Bath Forum, Wells Forum, Taunton and Taunton Dean, Frome, Kilmersdon, Somerton, Whitstone and Horethorne picked out across the sheet. The county's rivers are drawn in similar detail, with the Parrett, the Avon, the Brue, the Axe and the Tone threading through the lowlands and the Somerset Levels toward the Bristol Channel.

Set into the map is an inset plan of Bath, one of the earliest printed plans of the city and part of a set of roughly fifty English and Welsh town plans that Speed's atlas put into print for the first time anywhere. True to the map's title, it foregrounds Bath's "wholsom waters" — the natural hot springs that had drawn visitors since Roman times and that, according to a much-repeated legend, were first discovered when the leprous prince Bladud watched his diseased pigs cured after wallowing in the warm mud, long before he supposedly founded the city.

Like most of Speed's county sheets, the Somerset plate is decorated with coats of arms belonging to local families, set around the map's borders and cartouches. Somerset also gave its name to one of the great disputed titles of the age: the dukedom of Somerset, created for the Beaufort family in the fifteenth century and revived for Edward Seymour, Lord Protector to the young Edward VI, before his execution in 1552 saw it forfeited. The title was still dormant when Speed's plate was engraved around 1610 — the very year in which the young William Seymour, heir to the disgraced Seymour line, secretly married Lady Arbella Stuart and was thrown into the Tower for it, half a century before the dukedom was finally restored to his family in 1660.

Later seventeenth-century editions of the atlas, issued under publishers including George Humble and later Thomas Bassett and Richard Chiswell, reused this plate largely unaltered, so surviving hand-coloured impressions still carry the same hundreds, Bath inset and heraldic embellishments that marked the Somerset sheet out from the moment it was first engraved.